Music, Education and Research

PFLEGHOF

Testimonial Lecture

Volker Hagedorn reworks in his lecture the prevalent image of Bach's shadowy predecessors.

Volker Hagedorn AUTHOR, JOURNALIST, MUSICIAN

Admission FREE

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Pfleghof

Musicological symposium

Bach arranged Part I - before Bach

The symposium led by Thomas Schipperges (Tübingen) and Christina Richter-Ibáñez (Tübingen) examines J. S. Bach's arrangements of his predecessors and ancestors, of his own works and the music of his contemporaries as well as the arrangements by following componists, performers, writers, film-makers and visual artists.

 

Opening

Keynote Speeches

• Uwe Wolf: Historische Aufführungspraxis? Bachs Einrichtungen älterer Musik.

• Hendrik Schulze: Die Johann Crüger’schen Choralmelodien und ihre Veränderung durch Bach.

Panel discussion

 

Thomas Schipperges (Tübingen) Opening

Christina Richter-Ibáñez (Tübingen) Opening

Uwe Wolf (Stuttgart) Keynote Speaker

Hendrik Schulze (Denton, Texas, USA) Keynote Speaker

Jean-Claude Zehnder (Basel) Chair

Admission free

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Pfleghof

Final result

Dr. Jean-Claude Zehnder (Basel) will introduce the editorial work of the new edition of Bach's complete organ works at Breitkopf & Härtel and will reflect the state of research.

Dr. Jean-Claude Zehnder Speaker

Admission free

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Pfleghof

Musicological symposium

Bach arranged Part 2 - Bach and his time

The symposium led by Thomas Schipperges (Tübingen) and Christina Richter-Ibáñez (Tübingen) examines J. S. Bach's arrangements of his predecessors and ancestors, of his own works and the music of his contemporaries as well as the arrangements by following componists, performers, writers, film-makers and visual artists.

 

Keynote Speeches:

• Wilfried Fischer: Zur Frage der Legitimation wiederhergestellter oder umgearbeiteter Solokonzerte Johann Sebastian Bachs.

• Wolfram Enßlin: Bach bei Bach. Zur Übernahme und Einrichtung von Sätzen J. S. Bachs in den Pasticci C. P. E. Bachs.

Panel discussion

Wilfried Fischer (Mössingen) Keynote Speaker

Wolfram Enßlin (Leipzig) Keynote Speaker

Christine Blanken (Leipzig) Chair

Admission free

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Pfleghof

Musicological symposium

Bach arranged Part 3 - after Bach: The long 19th Century

The symposium led by Thomas Schipperges (Tübingen) and Christina Richter-Ibáñez (Tübingen) examines J. S. Bach's arrangements of his predecessors and ancestors, of his own works and the music of his contemporaries as well as the arrangements by following componists, performers, writers, film-makers and visual artists.

 

Keynote Speeches and Discussion

• Ruth Tatlow: Bach’s Compositional Unity Reworked by Chopin.

• Andreas Flad: Also glaubte ich den richtigen Weg zu wandeln... Durch Modernisierung zur „Bindestrichausgabe“: Bachs Clavierwerk unter Busonis Händen.

• Alexander Odefey: „I wanted to show how gorgeous & great & brilliant he would have made himself sound if he had our means.“ – Zu Edward Elgars und Gustav Mahlers Bach-Rezeption und ihren Bearbeitungen.

Concert "lecture" - Ann-Helena Schlüter: Die große Kunst der Fuge

Ruth Tatlow (Stockholm) Keynote Speaker

Andreas Flad (Tübingen) Keynote Speaker

Alexander Odefey (Hamburg) Keynote Speaker

Jörg Rothkamm (Tübingen) Chair

Ann-Helena Schlüter (Würzburg/Leipzig) Explanation and Sound Sample

Admission free

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Pfleghof

J. S. Bach, mein Bach, kein Bach!?

Neue Forschung - Alte Nummern?

Newest Research - Old Numbers?

Dr. Christine Blanken (Bach-Archiv Leipzig) gives insights into the new "Bach-Werke-Verzeichnis (BWV III)" (Bach-Works-Catalogue).

Dr. Christine Blanken Speaker

Admission free

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Pfleghof

Musicological symposium

Bach arranged Part 4 - after Bach: Translations in the 20th Century

The symposium led by Thomas Schipperges (Tübingen) and Christina Richter-Ibáñez (Tübingen) examines J. S. Bach's arrangements of his predecessors and ancestors, of his own works and the music of his contemporaries as well as the arrangements by following componists, performers, writers, film-makers and visual artists.

 

Keynote Speeches

• Daniela Fugellie: Bach auf Spanisch erstaufgeführt. Das Weihnachtsoratorium (1925), die Matthäuspassion (1934) und die Johannespassion (1950) in Chile.

• Hong-yu Gong: Bach in China. Images, Translations, Adaptions.

Pandel discussion

Daniela Fugellie (Santiago de Chile) Keynote Speaker

Hong-yu Gong (Auckland, New Zealand) Keynote Speaker

Hans-Joachim Hinrichsen (Zürich) Chair

Admission free

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Pfleghof

Musicological symposium

Bach arranged Part 5 - after Bach: Facts and Fictions

The symposium led by Thomas Schipperges (Tübingen) and Christina Richter-Ibáñez (Tübingen) examines J. S. Bach's arrangements of his predecessors and ancestors, of his own works and the music of his contemporaries as well as the arrangements by following componists, performers, writers, film-makers and visual artists.

 

Keynote Speeches:

• Christina Richter-Ibáñez: Die Popularisierung Bachs in England und Esther Meynells Romane (1920er/1930er Jahre).

• Anna Magdalena Bredenbach: Fakt und Fiktion: Erzählstrategien in „Die kleine Chronik der Anna Magdalena Bach“.

Panel discussion

Christina Richter-Ibáñez (Tübingen) Keynote Speaker

Anna Magdalena Bredenbach (Stuttgart) Keynote Speaker

Rebecca Grotjahn (Detmold) Chair

Admission free

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Theologicum

Theological Symposium

Topics, Theses, Temperaments

BACH AMONGST THEOLOGIANS OF HIS TIME

Between orthodoxy, pietism and Aufklärung

Prof. em. Dr. Walter Sparn (Erlangen)

Prof. Dr. Volker Leppin (Tübingen)

Admission free

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREE

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREe

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

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Theologicum

Theological Symposium

Topics, Theses, Temperaments

BACH AT THE TIME OF MENDELSSOHN

In the area of tension of service and concert hall.

PD Dr. Martin Keßler (Göttingen)

Prof. Em. Dr. Eilert Herms (Tübingen)

Admission free

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREE

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

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Theologicum

Theological Symposium

Topics, Theses, Temperaments

BACH IN ALBERT SCHWEITZER'S PERSPECTIVE

The question of the historical Bach and the phrase "Dichterische und malerische Musik" (poetic and picturesque music)

Prof. Dr. Werner Zager (Frankfurt am Main)

KMD Prof. Ingo Bredenbach (Tübingen)

Admission free

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREE

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Theologicum

Theological Symposium

Topics, Theses, Temperaments

THEOLOGY THROUGH BACH'S MUSIC

Doing Theology with Bach

Prof. Dr. Jeremy Begbie (Durham, North Carolina)

Prof. Dr. Christoph Schwöbel (Tübingen)

Admission free

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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREE

previous Event
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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

previous Event
                        next Event

HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Basso Continuo

The masterclass is open to the public.

Carsten Lorenz Harpsichord, Organ

Admission FREE

previous Event
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HOCHSCHULE FÜR KIRCHENMUSIK

Masterclass Vocals

The masterclass is open to the public.

Sibylla Rubens

Admission FREE

previous Event
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